If you’re thinking, “How the fuck can you write a whole 500-page dictionary just about the word ‘fuck’?” consider, say, the many meanings of ‘ass fuck’, noun and verb - and that’s before you even add similar terms like ‘bumfuck’ and ‘buttfuck’. And there are so many less usual terms, like ‘fucksome’ or ‘fuckstrated’ or ‘fuckist’ or ‘fucktious’.
Read moreAllusionist 207. Randomly Selected Words from the Dictionary
Today’s episode is in the Tranquillusionist style, to give your brain a break while I say words that are not too consequential over a soothing backing track. And this time, the words are all the randomly selected words from the dictionary from every episode of the show, in reverse chronological order.
Read moreAllusionist 206. Bonus 2024 transcript
This is the Allusionist, in which I, Helen Zaltzman, have been stashing away special Allusiobits all year, when the people who appeared on the show said interesting things that I couldn’t fit into their episode because there wasn’t room or it was not about language - waiting, just waiting, for this, the annual Bonus episode! This year we’ve got something called the ‘universal blank’, which actually does not refer to my emotions; we’ve got tricorn hats, poets with migraines, and why Boston cream pie isn’t a pie. And so much more.
Read moreTranquillusionist: Ex-Constellations transcript
Let’s hear it for some of the constellations that we used to have but are now ex-constellations.
Read moreAllusionist 200. 200th episode celebratory quiz! transcript
Here it is, the 200th episode of the Allusionist! To celebrate, here is a playalong quiz where the questions have been set by you, the smart listeners, and if you want to play as you listen, you can keep track of your scores via the score sheet at theallusionist.org/200, if you don’t have to hand the back of an envelope and a pencil you stole from IKEA.
Read moreAllusionist 199. 199 ideas that I hadn't made into podcasts yet - transcript
This is the 199th episode of the show, and since before this show began, so for nearly a decade, I have been jotting down ideas in two documents - one for short ideas, one for long ideas. There are always more ideas than I have time and ability to make podcasts about, so now the documents are altogether 66 pages long and growing every day. So in this episode, you’re going to hear 199 ideas that I wanted to put into the podcast and haven’t yet.
Read moreAllusionist 198. Queer Arab Glossary
HZ: So how do you go about building a glossary when you have to do that yourself from scratch?
MARWAN KAABOUR: Yes, it's a good question. Like, why would a graphic designer with a steady job decide to open this can of worms?
Allusionist 197. Word Play part 7: Word Sport
Unleash the bees!
Read moreAllusionist 196. Word Play part 6: Beeing
DEV SHAH: Spelling is about roots, language. I genuinely loved getting a word I didn't know and having all this information - it was like a detective case: you have the language of origin, the definition, alternate pronunciations, roots; it's like witnesses and having details to a crime scene, forensics. And, you know, it was just me piecing out together, doing what I love, in front of millions of people, shining on a stage, cameras, and still getting a lot from it.
HZ: And you got to do all that detective work in ninety seconds.
DEV SHAH: Exactly.
Allusionist 191 Hypochondria - transcript
CAROLINE CRAMPTON: A lot of the theoretical material that I'd read about hypochondria very much positioned it in this binary situation that either someone has, quote, real illness, i.e. illness that you can detect with a scan or a blood test or some other diagnostic tool, or "It's all in their head and it's made up," and those are the only two ways it can be. But, just personally, I feel like I'm pretty much constantly experiencing some combination of the two. And I think the idea that there is unwarranted fear: I don't think there is any such thing as unwarranted fear, to be honest.
Read moreAllusionist 187 Bonus 2023 transcript
It is the annual Bonus episode - because the people who appear on this show always say so much good stuff, it doesn’t all fit into their original episodes, so at the end of each year we get to enjoy all the extra bounty. Coming up, we’ve got a mythical disappearing island, geese, human dictionaries, the dubious history of the Body Mass Index, a Eurovision thing that has puzzled me for years, Victorian death department stores, and much more.
Read moreAllusionist 186 Ravels transcript
MIRIAM FELTON: No; I think, as with most of these things, they're just named after people. The people themselves don't really have much association with it. Like the Earl of Cardigan didn't ever wear a cardigan as far as we know.
HZ: What? What?? I assumed that he was out there on the battlefields in a cardigan.
MIRIAM FELTON: Like a nice fair isle one with all the stranded colour work? That would have been awesome.
HZ: Just some kind of frontally divided knitted garment. But no?
MIRIAM FELTON: No.
HZ: What?!
MIRIAM FELTON: Not as far as we have any evidence.
Allusionist 184 Misophonia transcript
JANE GREGORY: Misophonia is an extreme reaction to certain sounds and not an aversion to all sounds, but an extreme reaction to specific sounds. And the most common sounds are eating and heavy breathing and kind of repetitive sniffing and coughing and things like that. Which are also sounds that most people don't like the sound of, but people with misophonia will get a much more intense reaction, so it might be more like a fight or flight kind of response, a feeling of anger or panic as opposed to feeling annoyed or irritated or disgusted by the sound. And there's a bit more to it in terms of what goes on around the sounds as well. So it might be feeling trapped or helpless when they can't get away from these sounds. It might be listening out for sounds, even when there aren't any, or continuing to listen to see if the sound is still going, even if it's stopped. And doing things to organize your life around sounds or to cope with sounds. when they happen. So most people who don't like a sound will just deal with it. For people with misophonia, they have to do things to not be able to hear it or to be able to cope with their reactions to it.
HZ: Rather than just grimacing.
JANE GREGORY: Exactly. I mean, there's also some grimacing, but probably also some glaring.
Allusionist 182 Siblings of Chaos transcript
HZ: I thought the etymology of 'gas' was a big surprise as well.
SUSIE DENT: Oh, yes. It is a sibling of chaos.
HZ: In a sense, we're all siblings of chaos.
Allusionist 181 Cairns transcript
LINDSAY ROSE RUSSELL: I don't think James Murray felt like he was alone in making the Oxford English Dictionary. I think he was keenly aware of himself as a part of a very large and many tentacled team. In a lecture he gave in 1900, he talked about every lexicographer as adding their stone to the cairn. You know, cairns like the little things when you go hiking that are piles of stones that tell you you're still on the right path. So I think Murray understood his own work as contributing to a larger lexicographical project where he was not a lone dictionary maker in the effort of dictionary making more grandly. But, I don't know; in history, I think it's easier to tell the story of a singular man. Because of course it's easier to tell the story of a singular man, as opposed to the story of thousands of people working on a single dictionary and doing all different kinds of things.
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