MARY ROBINETTE KOWAL: Elsie does lie. I had just given her the "sleepy" button and I was in the kitchen. I was making lunch, and she goes to the button board and she says, "bedroom, sleepy, lie down." I'm like, "What a great contextual use. Yes, absolutely. Let's go take a little nap," and walk into the bedroom. And my cat doesn't come in, and I come back - and she's eating my cheese sandwich. And she has, multiple times, tried to send me out of the room in order to get my food. So when I'm making lunch and she starts talking to me and it's something like, “Go check the litter box” or something like that, food goes into the microwave and then I investigate whatever's happening.
HZ: How did that make you feel? You're like, “I can never trust her again?”
MARY ROBINETTE KOWAL: I don't know. I was like, oh, right. Cat.
Allusionist 204. Lexicat, part 1 transcript
HZ: It's a lot of deductive reasoning happening with how she's using language. Fascinating.
MARY ROBINETTE KOWAL: Yeah, it really is - which is why, when I get comments on videos where it's like, “Oh, this cat is just walking across buttons randomly,” I'm like, no, I have a dog that does that. I daily have moments where I'm like, okay, no, this is really a thing that's happening.
Allusionist 203. Flyting transcript
ISHBEL McFARLANE: “You crap so much that you sunk a ship you were on.”
HZ: I’m gonna use that.
Allusionist 202. Singlish Singlish transcript
GWEE LI SUI: We have not yet known what it's capable of. Singlish is one of those things the potential of which we're yet to tap in properly. There can be so many things you can do with it.
Read moreAllusionist 201. Singlish transcript
BIBEK GURUNG: You grow up with the sense that if your first language, or one of your first languages, Singlish, actually a bad version of an already existing language, you kind of get this sense that “I'm just bad at language,” which is… language is a fundamental human skill. It's what separates us from the lemurs or whatever. And to just have this sense that you're bad at this very fundamental skill, I think, really does a number to your self esteem and your abilities to communicate in general. I still have a lot of - I don't know how to phrase it, maybe like cultural cringe - around Singlish. And when I meet someone from Singapore, we do sort of lapse into Singlish and communicate in that way, except if I'm with American friends and then I just feel so self conscious and I'm not able to do it. As a student of linguistics and someone who just knows about the sociolinguistic dynamics, I still find it really hard to shake.
Read moreTranquillusionist: Ex-Constellations transcript
Let’s hear it for some of the constellations that we used to have but are now ex-constellations.
Read moreAllusionist 200. 200th episode celebratory quiz! transcript
Here it is, the 200th episode of the Allusionist! To celebrate, here is a playalong quiz where the questions have been set by you, the smart listeners, and if you want to play as you listen, you can keep track of your scores via the score sheet at theallusionist.org/200, if you don’t have to hand the back of an envelope and a pencil you stole from IKEA.
Read moreAllusionist 199. 199 ideas that I hadn't made into podcasts yet - transcript
This is the 199th episode of the show, and since before this show began, so for nearly a decade, I have been jotting down ideas in two documents - one for short ideas, one for long ideas. There are always more ideas than I have time and ability to make podcasts about, so now the documents are altogether 66 pages long and growing every day. So in this episode, you’re going to hear 199 ideas that I wanted to put into the podcast and haven’t yet.
Read moreAllusionist 198. Queer Arab Glossary
HZ: So how do you go about building a glossary when you have to do that yourself from scratch?
MARWAN KAABOUR: Yes, it's a good question. Like, why would a graphic designer with a steady job decide to open this can of worms?
Allusionist 197. Word Play part 7: Word Sport
Unleash the bees!
Read moreAllusionist 196. Word Play part 6: Beeing
DEV SHAH: Spelling is about roots, language. I genuinely loved getting a word I didn't know and having all this information - it was like a detective case: you have the language of origin, the definition, alternate pronunciations, roots; it's like witnesses and having details to a crime scene, forensics. And, you know, it was just me piecing out together, doing what I love, in front of millions of people, shining on a stage, cameras, and still getting a lot from it.
HZ: And you got to do all that detective work in ninety seconds.
DEV SHAH: Exactly.
Allusionist 195. Word play part 5: 100 Pages of Solvitude transcript
HZ: What would make you happier: if nobody solves it or if lots of people solve it?
JOHN FINNEMORE: Oh, lots of people, without question. I hope it's not trivial, but any puzzle has failed if nobody solves it.
Read moreAllusionist 194 Word Play part 4: Good Grids
ERIK AGARD: What I see a lot in crosswords is, I think, not unique to crosswords where historically they've been for a very specific cross-section of an audience. They're written with certain people in mind, and certain other people not in mind. And I think we're starting to see the tip of the iceberg of some changes that expands the range of who they're for.
Read moreAllusionist 193 Word Play part 3: Lemon Demon transcript
AJ JACOBS: Anagrams played a part in a trial, sort of a witch trial in the 1600s in the UK. And it was a woman who was put on trial for claiming that she was a prophet. Part of her proof was that if you rearrange the letters in her name - her name was Eleanor Davies - if you rearrange it, then it says, ‘Reveal, O Daniel’, as in the prophet Daniel. I don't believe that that was proof she was a prophet. They came down on her hard in the trial, so they said, “If you rearrange” - her married name was Dame Eleanor Davies - “and you rearrange those letters, it spells ‘Never So Mad A Lady;.” So like, “she's so crazy.” So that was how she was convicted. And by the way, that was when anagrams were easier, because there were so many spellings.
Read moreAllusionist 192 Word Play part 2 transcript
HZ: People assume to my face that a podcast about language won't be fun, and they're like, “Why would you do something that sounds so boring and dry and like a punishment?” What kind of reactions do you get when people learn that you make games about language?
KATHRYN HYMES: It's so interesting - for some people there's a similar reaction, but for a set of people, it's like you have given them the thing that they have most wanted in the world and maybe didn't realise or articulate or hope that such a thing could be made. And it's somewhat shocking that there's enough of those people and that the internet is able to connect it, you know, connect us to them that we end up finding each other.
