This is the 199th episode of the show, and since before this show began, so for nearly a decade, I have been jotting down ideas in two documents - one for short ideas, one for long ideas. There are always more ideas than I have time and ability to make podcasts about, so now the documents are altogether 66 pages long and growing every day. So in this episode, you’re going to hear 199 ideas that I wanted to put into the podcast and haven’t yet.
Read moreAllusionist 190 Craters - transcript
ANNIE LENNOX: It really all came to light when I got the opportunity to name my first feature on Mercury - which was, side note, one of the most exciting things. To find something that is scientifically significant and then to get the chance to name it on another planet: super cool.
Read moreAllusionist 187 Bonus 2023 transcript
It is the annual Bonus episode - because the people who appear on this show always say so much good stuff, it doesn’t all fit into their original episodes, so at the end of each year we get to enjoy all the extra bounty. Coming up, we’ve got a mythical disappearing island, geese, human dictionaries, the dubious history of the Body Mass Index, a Eurovision thing that has puzzled me for years, Victorian death department stores, and much more.
Read moreAllusionist 186 Ravels transcript
MIRIAM FELTON: No; I think, as with most of these things, they're just named after people. The people themselves don't really have much association with it. Like the Earl of Cardigan didn't ever wear a cardigan as far as we know.
HZ: What? What?? I assumed that he was out there on the battlefields in a cardigan.
MIRIAM FELTON: Like a nice fair isle one with all the stranded colour work? That would have been awesome.
HZ: Just some kind of frontally divided knitted garment. But no?
MIRIAM FELTON: No.
HZ: What?!
MIRIAM FELTON: Not as far as we have any evidence.
Allusionist 185 Gems and Patties transcript
I've got a doctorate in this, and I have got dwarfism, but there'll always be an average-sized person whose only recollection of dwarfism is through Snow White, and yet somehow they'll construct themselves as the expert, and tell you it's not offensive or, “No, you've got that wrong.”
HZ: Also by having it on bags of sweets, that's kind of the ultimate “It's okay to say this in normal conversation”.
ERIN PRITCHARD: Yeah. But you do get through to some people, some people go, “I never realised that. I never knew that.”
Read moreAllusionist 171 Supplantation transcript
HZ: How do you feel when you have to tell someone your address?
LYLA WHEELER: I feel uncomfortable, like, why am I writing this? Why am I talking about this?
KRISTIN DALEY: I feel the same way. I'm mortified.
Allusionist 170 Actively Passive transcript
KENNEDY WHITERS: I'm saying unredact the word ‘plantation’. There are many definitions for a plantation, but the southern definition of plantation, it's where people laboured during the period of chattel slavery. Plantations were places of forced labour. They were forced labour camps - and other people are using this phrase to describe these places.
I made an attempt on Wikipedia to add the descriptor 'forced labour camp' to the word ‘plantation’ - and someone redacted my unredaction, actually.
HZ: I imagine fewer people would choose to have weddings at things called forced labour camps.
Read moreAllusionist 169 The Box transcript
SUBHADRA DAS: A guy from the UCL estates team, screwdriver, took the plaque off the wall.
HZ: That's it?
SUBHADRA DAS: That's how you dename a building. It's not difficult.
Allusionist 168 Debuts transcript
HZ: The work that RFSU does has included, over the past three decades, coming up with new terms, to fill gaps in the vocabulary or provide more options for talking about sex and bodies.
KALLE ROCKLINGER: Sometimes it's to highlight or make something visible that's not been really talked about. Sometimes it's to change norms in society in some ways, and sometimes it's been sort of a really strategic choice for us in our political work to refuse a certain term or way of describing things, to tell another story, so to speak.
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