The Eurovision Song Contest has given us the international renown of Celine Dion, Måneskin, Dana International, Conchita Wurst and Riverdance; tear-off skirts, nul points, shiny shiny costumes, a band of babushke dancing around an onstage bread oven; not to mention fraught politics, within and between nations. And most importantly for our purposes: linguistic intrigue! So much linguistic intrigue.
Read moreAllusionist 159 Bufflusionist transcript
HZ: ‘Vampyre’ with a Y was pretty interchangeable with ‘vampire’ with an I when it first landed in English. Actually, I think the first appearance in English was with a Y. We probably got it from French or German, but it was based on - it’s a little unclear, but it was based on Hungarian, possibly, or Slavic languages. And it was because, at the time, they were doing a lot of coverage of the Serbian vampire epidemic of 1725 to 1732.
JENNY OWEN YOUNGS: Oh, of course.
HZ: Apparently there were a lot of Eastern European vampire epidemics.
KRISTIN RUSSO: What is a vampire epidemic?
HZ: I assume an epidemic of vampires. Imagine Covid, but for vampirism. And no vaccine. No masking is going to save you.
Allusionist 95. Verisimilitude - transcript
HZ: Approximately how many languages have you invented at this point?
DAVID PETERSON: I think I've invented over 50 languages at this point. Not all of them are very large in terms of vocabulary size, and not all of them are very good. I had created about 17 before I ever started working on Game of Thrones.
HZ: The languages you hear in Game of Thrones: Dothraki -
[CLIP] Khal Drogo: “Moon of my life, are you hurt?”
HZ - the various dialects of Valyrian:
CLIP: Daenerys: “Valyrian is my mother tongue.”
HZ: - those aren’t the actors making up some gibberish. Those are functional languages, with large vocabularies and complex grammars and etymologies.
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