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A PODCAST ABOUT LANGUAGE
BY HELEN ZALTZMAN

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Tranquillusionist: Ex-Constellations

September 26, 2024 The Allusionist

This is the Tranquillusionist, in which I, Helen Zaltzman, give your brain a break by temporarily supplanting your interior monologue with words that don't make you feel feelings. Note: this is NOT a normal episode of the Allusionist, where you might learn something about language and your brain might be stimulated. The Tranquillusionist's purpose is to soothe your brain and for you to learn very little, except for something about Zeus's attitude to bad drivers.

Today: constellations that got demoted into ex-constellations. Featuring airborne pregnancy, cats of the skies, and one of the 18th century's most unpopular multi-hyphenates.

Allusionist 199: 199 ideas that I hadn't made into podcasts yet

August 30, 2024 The Allusionist

Next episode is the 200th, therefore this is the 199th. I raid the 66-page documents of ideas for episodes, that I have been keeping for nearly a decade, and present to you 199 ideas that I have not yet made into podcasts (except for this one).

Allusionist 180. Project ENABLE

August 24, 2023 The Allusionist

Sterling Martin was in grad school, studying C. elegans worms, when COVID19 hit and suddenly he found himself in lexicography, as part of a team creating a Navajo-English dictionary of science terms.

Allusionist 175. Eurovision part 2

April 21, 2023 The Allusionist

Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too.

Allusionist 174. Eurovision part 1

April 7, 2023 The Allusionist

There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams.

Allusionist 146. Survival: Today, Tomorrow part 1

November 24, 2021 The Allusionist

The Icelandic language has remained so stable over the centuries, speakers can read manuscripts from 900 years ago without too much trouble. And when they need a new word for more recent concepts, there are committees to coin one, so that the modern Icelandic lexicon includes such things as the internet, helicopters and mansplaining. Defending the language from the encroachment of English, however, is rather more challenging.

Allusionist 135. SOS

May 13, 2021 The Allusionist

SOS is a really versatile distress call. You can shout it; you can tap it out in Morse code; you can honk it on a horn; you can signal it with flashes of light; you can spell it out on the beach with debris from your wrecked ship.

Allusionist 114. Alarm Bells

February 24, 2020 The Allusionist

How to communicate about climate in a way that results in useful action.

Allusionist 97. The Future Is Now?

April 11, 2019 The Allusionist

“There are two ways to say ‘The future is now’: you can say it optimistically, like, ‘The future is now! Isn't that cool?’ Or you could be like, ‘The future is now, and we're totally screwed.’” Rose Eveleth, of the future-envisioning podcast Flash Forward, tracks the past and present of one of her favourite phrases.

Allusionist 96. Trust

March 20, 2019 The Allusionist

“Trust isn't a brand that you should use. It's a social glue that, when it breaks down, has really huge consequences to our lives.” Trust expert and author Rachel Botsman explains why we need to protect this word that has remained steadfast throughout its existence, but may now be too popular for its own good.