Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too.
Read moreAllusionist 174. Eurovision part 1
There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams.
Read moreAllusionist 45: Eponyms II - Name That Disease
If you love eponyms like Roman Mars loves eponyms, I'm afraid physician Isaac Siemens is here to deliver some bad news: medics are ditching them, in favour of terms that a) contain information about what the ailment actually is, and/or b) don't honour Nazi war criminals. Eponyms are controversial things.
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