MAX ULLMANN: I like how this is typical of all antique jewellery, in a way, it's just completely symmetrical and totally imperfect. In a world of perceived perfection, this is far more interesting. You know, you can really see that somebody is done that by hand. You know, the A is lower than the Z and the E, the horizontal arms of the E, are too short by modern standards. It’s certainly not perfect. There's bits and pieces of the letters missing, but you can really put yourself in the position of the person doing it, who obviously was not able to achieve this kind of perceived perfection because they're human.