When you're trans and pregnant, some of the vocabulary of pregnancy, birth and parenting might not fit you. In face, some of it might not even work for people of ANY gender. Trans parents Freddy McConnell and CJ talk about gender-additive language, inclusive for women and other genders, and about how in English law, the word 'mother' becomes semantically very complicated indeed.
Read moreAllusionist 118. Survival: Bequest
When the Europeans arrived in Aotearoa New Zealand, as well as guns, stoats and Christianity, they brought ideas of cisgender monogamous heterosexuality that were imposed upon the Māori people as if there had never been anything else. But one word, takatāpui, proved otherwise.
Read moreAllusionist 93. Gossip
‘Idle’, ‘trivial’, ‘scurrilous’: the word ‘gossip’ is often accompanied by uncomplimentary adjectives. But don’t dismiss it; from childbirth to Hollywood to political analysis to whisper networks, gossip may be more useful and serious than you realise.
Read moreAllusionist 50: Under the Covers - part I
Escape into the loving embrace of a romance novel - although don't think you'll be able to escape gender politics while you're in there. Bea and Leah Koch, proprietors of the romance-only bookstore The Ripped Bodice, consider the genre; and publisher Lisa Milton scrolls through the 109-year history of the imprint that epitomises romance novels, Mills & Boon.
Read moreAllusionist 19: Architecting About Dance
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“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however - that's really difficult. How do you put a wordless form of communication into words?
Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl.
READING ABOUT DANCE IS LIKE READING ABOUT ARCHITECTURE:
If you want to find out more about "[doing a thing] about [a thing] is like [doing a different thing] about [another thing]" adages, take a look here and here.
Further werewolf reading-matter: find out about Old English wolf-words; read this plea for feminist werewolves/wifwolves; and this, apparently, is The Problem with Female Werewolves (too hairy for this bikini-waxed world?).
You want to learn Labanotation? Don't let me stop you.
You want to learn about the Step Up series of films? Don't let me stop you.
Steven Hoggett talks more about how he goes about his work, here and here.
Here is the transcript of this episode.
RANDOMLY SELECTED WORD FROM THE DICTIONARY:
poetaster
CREDITS:
Alice Sanders writes very funny articles and blogs. Find her at twitter.com/wernerspenguin.
Steven Hoggett is working on exciting forthcoming projects including the stage adaptation of Disney's Pinocchio, AND the Harry Potter play. You'll have to wait a little while for those; but his Burt Bacharach show, Close To You, is about to open at London's Criterion Theatre. The Curious Incident of the Dog In The Night-Time is on in the UK and on Broadway, and Once seems to be all over the place.
The non-speech noises in this episode were:
Allusionist Theme by Martin Austwick
The Nutcracker, Swan Lake and Sleeping Beauty by Tchaikovsky
A snippet of the film version of A Chorus Line
Cinderella by Prokofiev
This episode was produced by me, Helen Zaltzman. Thanks to Eleanor McDowall and Miranda Sawyer.
Dance along to facebook.com/allusionistshow, twitter.com/allusionistshow and twitter.com/helenzaltzman.
