Empathy and kindness can be noble concepts in themselves, but as terms are thrown around enough to have become buzzwords, and in the process lose some of their meaning and purpose. Audiomakers Sandhya Dirks and Julia Furlan, and academic and podcaster Hannah McGregor, discuss the value and pitfalls of appealing to the emotions.
Read moreAllusionist 155. The Tiffany Problem
The name Tiffany has been around for some 800 years. But you can't name a character in a historical novel 'Tiffany', because people don't believe the name is old. Science fiction and fantasy author Jo Walton coined the term "The Tiffany Problem" to express the disparity between historical facts and the common perception of the past.
Read moreAllusionist 151. The Bee's Knees
Bad hats, cat's pyjamas, banting, goops, creatures, and playing possum - what WERE people going on about during the Golden Age of detective fiction? Caroline Crampton of Shedunnit podcast and I get sleuthing into the slang of the mystery novels of the 1920s and 1930s.
Read moreAllusionist 131. Podlingual
In their podcasts Mija and Moonface, Lory Martinez and James Kim create autobiographical fiction in multiple languages.
Read moreAllusionist 104. Words into Food
It’s Food Season at the Allusionist. Last episode we learned all about compiling recipes, turning food into words. This time, we meet someone who turns words into food. When Kate Young of the Little Library Cafe spots a foodstuff or a feast in a novel, she finds ways to cook it in reality, whether it’s delicious (Babette’s Feast), evil (Edmund’s Turkish delight in The Lion, The Witch and the Wardrobe) or poisonous (the crab and avocado in The Bell Jar).
Read moreAllusionist 98. Alter Ego
Today: three pieces about alter egos, when your name - the words by which the world knows you - is replaced by another for particular purposes.
How did John Doe come to be the name for a man, alive or dead, identity unknown or concealed in a legal matter? Strap in for a whirlwind ride into some frankly batshit centuries-old English law.
At their first bout of the 2019 season, the London Roller Girls talk about how they chose their roller derby names - or why they chose to get rid of one.
The 1930s and 40s were a golden age for detective fiction, which was also very popular and lucrative. Yet writing it was disreputable enough for authors to hide behind pseudonyms.
Allusionist 95. Verisimilitude
When you’re watching a fantasy or science fiction show, and the characters are speaking a language that does not exist in this world but sounds like it could - that doesn’t happen by accident, or improvisation. A lot - a LOT! - of work goes into inventing new languages that sound real. Conlanger David Peterson talks about how he created languages for HBO’s Game of Thrones.
Read moreAllusionist 91. Bonus 2018
Throughout the year, the people who appear on the Allusionist tell me a lot of interesting stuff. Not all of which is relevant to the episode they initially appeared in, so I stash it away in preparation for this moment: the annual bonus episode! Get ready for gory 19th century London slang, the rise and fall of superhero capes, the post-WW1 trend for nudism, and more.
Read moreAllusionist 82. A Novel Remedy
When you're feeling unwell, what's the book you read to make yourself feel better? And why does it work?
Clinical psychologist Jane Gregory explains why she sometimes prescribes novel-reading to her patients; and academic Guy Cuthbertson tells how post-WW1 Britain was soothed by Agatha Christie's murder mysteries.
Read moreAllusionist 69. How the Dickens Stole Christmas
Charles Dickens wrote about the plight of the impoverished and destitute members of British society. So how come his name is a synonym for rosy-cheeked, full-stomached, fattened-goose, hearty merry "God bless us every one" Christmas?
Avery Trufelman and Katie Mingle of 99% Invisible report from the streets of Victorian London at the annual Dickens Christmas Fair in Daly City, California, while historian Greg Jenner explains the origins of the festive traditions for which Dickens gets the credit, without even wanting the credit - in fact, his motivation for writing A Christmas Carol was far from a cash-in on Christmas.
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